Oct. 26-27, 2024

Grades 7 through 12

Registration: $35

Registration Ends: October 13

Registration:

Due Date: Sunday, October 13, 2024
  • Performers must complete the application and submit the registration fee in order to perform.
  • Performers must be Arizona residents.
  • Performers must be in grades 7 through 12, no younger than 13 (acceptable if student is turning 13 within the school year) and no older than 18 years of age.
  • Early application is advised. It is possible that all available slots for performers will be filled before the end of the application submission period. If all slots are full before the end of the application submission period, please email competition@azmusicfest.org.
  • No application refunds will be given in the event of performer withdrawal.

Date & Time:

  • The Competition will be held on Saturday, October 26 and Sunday, October 27.
    • The times in the table below are the estimated window for each division.
      • Divisions may begin earlier or later depending on the number of entrants
    • Exact performance timeslots will be emailed out the week following the application due date.
    • Performers may only perform during their division’s window
Division Date Estimated Window
(Exact timeslots to be assigned)
I (7th & 8th Grades) Saturday, October 26, 2023 9am-1pm
II (9th & 10th Grades) Saturday, October 26, 2023 1pm-5pm
III (11th & 12th Grades) Sunday, October 27, 2023 1pm-6pm

Divisions:

Division Number of Pieces Warm-Up Duration Performance Duration
I (Grades 7 & 8) 1 or 2 5 minutes 7 minutes
II (Grades 9 & 10) 1 or 2 10 minutes 12 minutes
III (Grades 11 & 12) 2 10 minutes 12 minutes

Music:

  • Music chosen for the competition must be standard literature chosen from the Baroque, Classical, Romantic, Modernist, or Contemporary periods. Simplified versions and transcriptions are not accepted.
    • Multiple movements from the work may be entered as one selection, so long as the total program does not exceed the allotted time for the respective division (see above)
  • Music must be memorized.
  • Performers must provide a printed (published) version and two photocopies of the piece(s) they will perform.
    • Scores must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
    • Any markings that would identify the performer’s or their teacher’s name should be erased or covered with whiteout.
    • All music will be checked at the Welcome Table for measure numbers
    • All music will be returned directly after the performance.

Location:

  1. The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255
  2. The piano for the competition is a 2001 Steinway Model B Grand Piano
  3. Performers will receive an arrival time that is before their scheduled warm-up time. Please plan to arrive no later than your assigned arrival time.

Prize:

  1. Up to three performers from each division may be awarded monetary prizes in the amounts detailed below.
  2. Awarded performers may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
  3. Awarded performers may receive performance opportunities as they are available and announced.
Division First Prize Second Prize Third Prize
I (Grades 7 & 8) $200 $100 $50
II (Grades 9 & 10) $350 $200 $100
III (Grades 11 & 12) $450 $350 $200

Adjudication:

  • Judges will stop performers if their performance exceeds the competition time limits. There is no penalty if a performer needs to be stopped.
  • Judges may elect to award Honorable Mentions to performers demonstrating high levels of artistry in their performances.
  • Prizes are awarded at the end of each division to performers who display the highest level of artistic excellence.
  • Judges have the option to withhold prizes.
  • All teachers will receive the judges’ comments within a week of the competition date. 
  • Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
Print This Information

Questions? Email competition@azmusicfest.org

Getting Here

Community Room at Arizona Musicfest

7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255

7950 E Thompson Peak Pkwy

7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA

Adjudication Panel

Aline Boyd

Aline Boyd

Aline Boyd is a Brazilian born Pianist from Rio de Janeiro. She pursued a bachelor’s degree in Piano Performance at Universidade Federal do Rio de Janeiro under the mentorship of the pianist Patrícia Bretas. She obtained her Specialist Certificate in the field of Piano Pedagogy at Conservatorio Brasileiro de Música in Rio de Janeiro, under the mentoring of Dr. Ernesto Hartmann. Since then, Aline has had extensive experience performing, teaching, and speaking on behalf of Piano Pedagogy. In Brazil, Aline performed in auditions, events, and master classes for important Brazilian pianists, such as: Luiz Henrique Senise, Ronal Silveira, Tâmara Ujakova, Marcelo Thys, Alexandre Rachid, Maria Luiza Cocker-Nobre, João Vidal, Flávio Augusto, Marcelo Verzoni, Carla Reis, Inês Rufino, Miriam Grosman, Mauricy Martin. In 2010, Aline moved to São Paulo, where she started studying with the pianist Nilze Kruze (former student of Bruno Seidhofer, in Vienna). Aline worked as a Music Tutor for the Universidade Federal de São Carlos (2010-2014) and she was a piano instructor in the British School St. Francis (campus: Jardim Europa and Pinheiros, in São Paulo). Aline performed as a pianist in the exhibition of the 60 years of “Fritz Dobbert Pianos in Brazil” at the Museu Brasileiro de Escultura (MuBE) in São Paulo and gave an interview to the newspaper Folha de São Paulo (06/16/2010), where she had the opportunity to talk about Music and Technology.

In 2014, she got a scholarship to pursue her Master’s degree in Piano Performance under the mentoring of the pianist Dr.Sérgio Monteiro, First Prize in the Martha Argerich International Piano Competition, at Oklahoma City University. Aline obtained her master’s degree in Piano Performance with Honors (Magna cum Laude) for her academic performance at this institution. In the United States and Europe, Aline worked and had masterclasses with Maestro Greg Fischer, Dr. Whitesell, Mihee Song, Dr. Igor Lipinski (University of Oklahoma), Dr. Lisa Yui (Manhattan School of Music), Professor Sondra Tammam (Montclair State University), Irene Russo (Luca School of Music, Leuven, Belgium), Graham Fitch (London), Mikhail Vrokesensky (Moscow Conservatory), Artur Pizarro (Portugal). Aline worked as a pianist of Academy Sinfonia (Youth Orchestra) at OCU directed by Karén Khanagov.

She performed with Academy Sinfonia and she recorded 2 CDs with the orchestra featuring pieces by Bach, Tchaikovsky, Saint Säens, Mendelssohn, Mozart and others. Aline also has a duo (Alda Duo) with the Colombian musician Daniel Taborda, performing in an event called Art Moves. She also performed in events such as the Distinguished Alumni Dinner at Oklahoma City University, the Festival of Arts in Oklahoma City, the Luncheon at Oklahoma City Golf and Country Club. She also was invited to perform the “Danzon No. 2” by Arturo Marquez with Oklahoma City University Wind Band.

Aline was a judge of the Gilliam Piano Competition in 2016 at Oklahoma City University. Aline worked as a Piano Instructor of the Preparatory Department at Oklahoma Baptist University, at the Performing Arts Academy (Oklahoma City University) and in the Church of the Servant.

Aline also worked as a piano accompanist at both universities, and she was the pianist at Bridge View United Methodist Church in Norman, Oklahoma.

In 2018, Aline was accepted to pursue a Master of Advanced Studies at the Conservatorio della Svizzera Italiana (Switzerland) under the mentoring of the Ukrainian Pianist Anna Kravtchenko.

In April 2020 and January 2021, Aline was invited to join the jury panel of the “Lviv Kawai Quarantine” Competition in the Ukraine, where she had the opportunity to judge young European pianists along with a panel of judges from 28 different countries.

In May 2020, Aline gave an interview to the Brazilian Times newspaper, in which she shared a little of her musical trajectory.

Recently, Aline was one of the judges at the “Yula International Online Festival” in Kharkov, in the Ukraine.

Locally, Aline served as an adjudicator for the EVMTA Piano Competition in Gilbert, and she also serves on the board of AZ Piano Institute. Last year, Aline was selected to perform at the Cell Theater in New York City in a project called Marshall Opera.

She proudly serves as a Vice President of the World Piano Teachers Association in Brazil and she was a judge member of the Dean & Carolyn Elder Piano Competition at Grand Canyon University.

Dr. Jessica Yam

Dr. Jessica Yam

Pianist Jessica J. Yam, DMA is active as soloist, chamber artist, pedagogue, and director of various artistic programs. Together with pianist Elias-Axel Pettersson, she formed duo Æterna Sirius in 2017; the pair has given masterclasses and toured across North America. Jessica has collaborated with numerous other instrumentalists, singers, and conductors, and has performed as guest artist with orchestras like New England Philharmonic, Baltimore, Young People’s Symphony, among others. She has won several accolades including the Chopin Foundation of the United States Scholarship as one of two national recipients of her year. Since elected Artistic Director of the nonprofit Arizona Piano Institute, she expanded its premier annual Summer Festival with internationally-acclaimed artists to include a Concerto Competition and other season programs. She has furthered her artistic outreach and collaboration with many prominent arts organizations in the community including MusicaNova Orchestra, Phoenix Chamber Music Society, Phoenix Youth Symphony, and the like. She also joined the faculty at Adamant Music School in Vermont in 2019, teaching gifted students alongside faculty-artists of global renown at their summer festival. Jessica has taught at various institutions including Arizona State University, Southwestern College, throughout the Maricopa Community Colleges in Arizona, as well as many other schools. She has created curricula and taught various courses in piano, pedagogy, repertoire, song literature, and vocal diction, and guest presents seminars on myriad topics involving theory and analysis, performance practice and technique, and pedagogical practice.

Dr. Yam received training at New England Conservatory, Eastman School of Music, San Francisco Conservatory of Music, and Arizona State University under Faina Kofman, Douglas Humpherys, Yoshikazu Nagai, and Robert Hamilton. She has taught for over 20 years and maintains a private piano studio in Tempe, AZ.

Dr. Radmila Stojanovic-Kiriluk

Dr. Radmila Stojanovic-Kiriluk

Dr. Radmila Stojanovic-Kiriluk is a Serbian – American pianist from Arizona. She is an active performer, teacher, and lecturer and has performed solo as well as with a variety of chamber groups, orchestras, soloists, and choirs. Her recordings have been played on radio and television. Radmila published the first CD recording of complete piano works by the Serbian composer Marko Tajcevic through the English label, Toccata Classics. She edited two volumes of Tajcevic’s piano works for the German publishing company Schott and her work is also published by the FJH company.

Radmila studied with piano teachers of diverse music backgrounds. She completed Bachelor’s and Master’s degrees in Belgrade, Serbia, and later graduated with a DMA in Piano Performance at the Arizona State University in Tempe, under the guidance of an esteemed pianist and teacher, Dr. Caio Pagano.  Radmila currently teaches as a piano professor at Mesa Community College and regularly adjudicates piano competitions, exams, and festivals. She is currently serving as the president of the EVMTA association and as a board member for the Arizona Music Teacher Association. She resides with her husband and two children in Mesa, Arizona.

Dr. Miki Aoki

Dr. Miki Aoki

Praised for “genuinely memorable performance” by BBC Music Magazine, pianist Miki Aoki is widely recognized for her diverse abilities as a pianist and collaborative artist.

Ms. Aoki records exclusively for German Label Hänssler Profil. Her debut album, comprised of the piano works of Zoltan Kodaly, was released in the fall of 2011 and won critical acclaim. Her second CD, ‘The Belyayev Project’, features fascinating compositions varying from solo piano works by Liadow, Glazunov and Blumenfeld to the expressive and rhapsodic piano Trio by Rimsky-Korsakov. It was released in 2013. The Fanfare Magazine praised ‘The Belyayev Project’ as a “graceful, expressive and transparent performance”, and The Ensemble Magazine (Germany) wrote, “…pianist Miki Aoki interprets magically.” Her third CD, ‘Mélancolie’, was released in May 2016 and was awarded a special prize by the Japanese music magazine “Record Geijutsu”. Her newest recording, ‘Tokyo Story’, was released in 2018. This recording is a world-premiere, featuring music from the films of Yasujiro Ozu in their original piano manuscript versions and has enjoyed an especially enthusiastic reception from the Japanese media.

A frequent guest artist in prestigious concert series and festivals around the world, Ms. Aoki has performed on the stages of Carnegie Hall, St. Martin-in-the Fields, St. John’s Smith Square, the Royal Festival Hall and the Purcell Room at South Bank Centre, the Barbican centre, Blackheath Halls (UK), Laeizhalle Hamburg, Gasteig München, Philharmonie Essen, Beethovenssal Hannover (Germany), Philia Hall, Munetsugu Hall (Japan), Wiener-Saal (Austria), St-Petersburg Philharmonic Hall (Russia) as well as in festivals such as Mecklenburg-Vorpommen, Salzburger Festspiele, Rheingau Festival (Germany), Menuhin Festival Gstaad (Switzerland), International Chamber Music Festival Silver Lyre (Russia), Beaulieu-sur-la Mer (France), Valdres Festival (Norway), Copenhagen Summer Music Festival (Denmark), Steirisches Kammermusik Festival(Austria), Tertis International Viola Competition and Festival (Isle of Man), Tembi Festival (Indonesia), Phnom Penh International Music festival (Cambodia) and the International Classical Music Festival (Myanmar).