Saturday Nov. 15, 2025 – Sunday Nov. 16, 2025
Grades 7 through 12
Registration: $35
Registration Ends: Sunday, November 2, 2025
Registration:
Due Date: Sunday, November 2, 2025
General Information:
*ALL QUESTIONS/COMMENTS SHOULD COME FROM TEACHERS ONLY: Email competition@azmusicfest.org*
Parents and students are not allowed to contact Musicfest staff to discuss any portion of the competition.
Teachers should take time to review all of the current Guidelines, and go over these Guidelines with the participating students and their parents.
- Performers must complete the application and submit the registration fee in order to perform. Early application is advised. It is possible that all available slots for performers will be filled before application deadline.
- The application must include the complete and accurate titles of the pieces to be performed, along with the full composer names, opus/catalog numbers (if applicable), movement designations (if applicable), and key signatures (if applicable).
- Performers must be Arizona residents.
- Performers must be in grades 7 through 12, no younger than 13 (acceptable if student is turning 13 within the school year) and no older than 18 years of age.
- Conflicts may be submitted in the application form’s comments section, but Arizona Musicfest does not guarantee that we will be able to accommodate all conflicts. No conflicts will be accepted after the application deadline.
- To edit your application information after submission, please return to the original confirmation email you received and follow the instructions in that email. No changes are allowed after the application deadline.
- No application refunds will be given in the event of performer withdrawal.
- Each teacher and performer must abide by all requirements and deadlines stated herein. Non-compliance will result in disqualification.
Date & Time:
- The Competition will be held on ________
- The times in the table below are the estimated window for each division.
- Divisions may begin earlier or later depending on the number of entrants
- Exact performance timeslots will be emailed out the week following the application due date.
- Performers may only perform during their division’s window
- The times in the table below are the estimated window for each division.
Division | Date | Estimated Window (Exact timeslots to be assigned) |
I (7th & 8th Grades) | Saturday, October | 9am-1pm |
II (9th & 10th Grades) | Saturday, October | 1pm-5pm |
III (11th & 12th Grades) | Sunday, October | 1pm-6pm |
Divisions:
Division | Number of Pieces | Warm-Up Duration | Performance Duration |
I (Grades 7 & 8) | 1 or 2 | 5 minutes | 7 minutes |
II (Grades 9 & 10) | 1 or 2 | 10 minutes | 12 minutes |
III (Grades 11 & 12) | 2 | 10 minutes | 12 minutes |
Music:
- Music chosen for the competition must be standard literature chosen from the Baroque, Classical, Romantic, Modernist, or Contemporary periods by composers of renown and/or established pedagogical composers. Simplified versions and transcriptions are not accepted.
- Multiple movements from the work may be entered as one selection.
- If the performer’s piece(s) exceed the length of the allotted competition time, please note the judges may stop a performance in order to stay on schedule, with no penalty to the performer.
- Music must be memorized.
- Performers must provide three total copies of their score(s):
- Scores should not have markings that would indicate the performer or teacher’s identities.
- Score(s) must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
- Scores will be checked at the Welcome Table for the above requirements and will be returned directly after the performance.
Dress Code:
Appropriate concert attire is required for both the Competition and the Winners Recital. This may include dresses (knee-level or longer), button-down shirts, slacks or dress trousers, and dress shoes; optional attire: sport coats, ties, or suits.
No jeans, sweatpants or sweatshirts, sneakers, gym attire, tennis shoes, flip flops, boat shoes, or platform shoes with a sole greater than 1/2 inch. All apparel must be modest and non-revealing. Hair should not hide a performer’s face. Please do not wear clothing that will detract from the performance or the dignity of the event.
Location:
- The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255
- The piano for the competition is a 2001 Steinway Model B Grand Piano
- Performers will receive an arrival time that is before their scheduled warm-up time. Please plan to arrive no later than your assigned arrival time.
Prize:
- Up to three performers from each division may be awarded monetary prizes in the amounts detailed below.
- Awarded performers may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
- Awarded performers may receive performance opportunities as they are available and announced.
Division | First Prize | Second Prize | Third Prize |
I (Grades 7 & 8) | $200 | $100 | $50 |
II (Grades 9 & 10) | $350 | $200 | $100 |
III (Grades 11 & 12) | $450 | $350 | $200 |
Adjudication:
- Judges will stop performers if their performance exceeds the competition time limits. There is no penalty if a performer needs to be stopped.
- Judges may elect to award Honorable Mentions to performers demonstrating high levels of artistry in their performances.
- Prizes are awarded at the end of each division to performers who display the highest level of artistic excellence.
- Judges have the option to withhold prizes.
- All teachers will receive the judges’ comments within a week of the competition date.
- Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
- The judges have full discretion over awarding decisions, which are final and cannot be challenged.
Getting Here
Community Room at Arizona Musicfest
7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255
Directions
7950 E Thompson Peak Pkwy
7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA
Adjudication Panel

Vitaly Serebriakov
Described as “thoughtful artist with a firm technique, a gorgeous tone, and a sensitive touch” (Fanfare Magazine) Vitaly Serebriakov is a critically-acclaimed pianist, teaching artist, and recording engineer based in Phoenix, Arizona. Steinway Artist Robert Hamilton recognizes Mr. Serebriakov as “an outstanding, professional pianist whose comprehensive performances blend intelligent stylistic understanding with emotional depth and strong technical prowess”. He has been heard in concerts and recitals around the world in such venues as Carnegie Hall and Steinway Hall in New York City, Virginia G. Piper Theater in Scottsdale Arizona, and Clara Schumann Hall at Dr. Hoch’s Konservatorium in Germany, among many others.
His recent CD “Infinitude”, a collection of piano music by Scriabin, Medtner, and Prokofiev has been highly praised by music critics. James Harrington from Fanfare Magazine writes: “…Serebriakov plays this set as well or better than the many recordings I have of them. He lets the music speak for itself, paying very close attention to the details, but never losing sight of the overall flow of each piece…” Peter J. Rabinowitz adds: “His sympathy for the music’s shadows and subtler harmonic nuances is impressive, too.”
Mr. Serebriakov is an Artist-In-Residence for the Scottsdale Philharmonic and performs with the orchestra on a regular basis. Highlights of 2021-2022 and 2022-2023 seasons include performances of Tchaikovsky First Piano Concerto, Grieg Piano Concerto, and Cezar Franck’s Symphonic Poem “Les Djinns”. Mr. Serebriakov is a prize winner in numerous international competitions, including the All-Russia Open Contest of Pianists, the 28th International Piano Competition “Citta di Senigallia” in Italy, “The Art of XXI Century” Competition in Greece, the 6th International Competition “Music Without Limits” in Lithuania, the 2nd International Rachmaninov-Gesellschaft e.V. Competition in Germany. He is also a recipient of the prestigious Recognition Award given by the Russian Ministry of Science and Education. Mr. Serebriakov has performed and collaborated with such conductors as Alexander Skulsky, Vladimir Plaksin, Igor Zhukov, James Johnston, David Wilson, and Dmitry Polyakov. He has appeared on Arizona PBS, WBGUTV and WGTE in Ohio, NNTV and “Prestige” Radio 102.4 FM of Nizhny Novgorod.
Together with his wife Svetlana Mr. Serebriakov co-founded Ostinato Conservatory of Music in Verrado Arizona, a premiere destination for young artists to start their musical journey. The couple also serve as Artistic Directors for Desert Hills Community School of Music in Scottsdale Arizona. Mr. Serebriakov frequently participates in and gives masterclasses at local MTNA conferences, serves as jury member for piano competitions, including Dean & Carolyn Elder Piano Competition and PMTA Fall Festival & Competition, and is an active adjudicator for the Arizona Study Program. His students have successfully passed ABRSM, ASP, and Royal Conservatory of Music examinations, and have won local and international piano competitions. Robert Hamilton noted: “Vitaly has proven to be an uncommonly successful teacher whom I regularly recommend to the very finest young talents and parents who seek my advice. He knows what is required to bring gifted pianists to the point of producing a first-rate piano sound, through the proper use of finger, hand and arm weight. Much of this comes from his thorough understanding and mastery of what is perhaps the best technical approach in the piano world, commonly known as the Russian school of piano playing.”
Mr. Serebriakov is a Doctor of Musical Arts in Piano Performance Candidate at ASU. He graduated with highest honors from the acclaimed Balakirev Musical College in Russia under the guidance of Professor Natalia Fish, and holds Master of Music degree from the Bowling Green State University, where he studied with Dr. Robert Satterlee. In addition, he has studied privately for several years with world-renowned pianists Vladimir Feltsman and Paul Ostrovsky at SUNY New Paltz, SUNY Purchase, and Mannes School of Music in New York City. He has performed in masterclasses for Phillip Kawin, Alexander Korsantia, Libby Larsen, Anthony Newman, Haesun Paik, and Robert Shannon. In the past, Mr. Serebriakov was a Faculty Associate at ASU School of Music, taught at Interlochen Center for the Arts in Michigan, and served as Piano Instructor at ASU Community Music School.
Along with being an accomplished soloist, Mr. Serebriakov is a recording engineer and has produced and engineered a number of CDs for the Blue Griffin label. One of the projects by Capitol Quartet in which Mr. Serebriakov is featured was named as finalist for the 2016 Pulitzer Prize in music. His engineering work has been reviewed in major periodicals including American Record Guide, Fanfare Magazine, Gramophone, and BBC Music Magazine.

Karina Maucha Cohen
Karina Maucha Cohen is a distinguished Brazilian-born pianist renowned for her versatile talents in performance, teaching, and arts advocacy. With a rich educational background including a Master of Music in Piano Performance from the Hartt School of Music and a Performance Diploma in Early Music from the Jacobs School of Music at Indiana University, Karina has developed a profound expertise that spans classical and early music.
Karina’s musical journey is marked by her dynamic performances in the United States, Asia, and South America. Her commitment to promoting Brazilian music globally has not only enhanced cultural exchange but also enriched her as a performer and mentor.
In 2017, as part of her tour in Asia, Karina gave a lecture and masterclass at the prestigious Shanghai Conservatory. This tour also included her participation in the Silk Road Festival, further highlighting her role in international cultural exchanges.
As an educator, Karina serves on the faculty of the Young Pianists Program at Indiana University where she nurtures young talent, preparing her students for successful careers in music. Her students have consistently achieved accolades in national and international competitions, having received more than 30 prizes from 2021-2024, a testament to her effective teaching methods and dedication.
In 2022, Karina was honored with the PL Excellence of Teaching Award at the Piano Star International Competition, accolades that recognize her contributions to music education and performance excellence. Her success continued through 2023 and 2024, securing multiple awards at the Great Composers Competition for her students’ performances of works by Bach, Bartok, Chopin, Kabalevsky, Schumann, and Mozart.
Karina’s influence extends beyond the stage and classroom. In 2024, she delivered a lecture on Piano Competitions to the Pedagogy class at Indiana University, and led a masterclass for the MTNA Bloomington Chapter, further solidifying her role as a thought leader in music education. That same year, she also served as a judge at the MTNA State Competition in Wisconsin, showcasing her expertise in evaluating emerging musical talents.
Additionally, Karina has participated in interdisciplinary research, collaborating with Hewlett Packard on a study investigating music and human behavior, which highlights her commitment to exploring the intersection of music and science.
Beyond her professional endeavors, Karina is a dedicated advocate for the arts, continually engaged in initiatives that promote musical education and appreciation among diverse communities. Whether through performance, teaching, or research, Karina Maucha Cohen remains a pivotal figure in the classical music landscape, inspiring a new generation of musicians and music lovers alike.

João Paulo Casarotti
João Paulo Casarotti is a Brazilian pianist and pedagogue. He received a Doctoral in Musical Arts in Piano Performance from Louisiana State University, M.M in Piano Performance and Piano Pedagogy from Temple University, M. M. in Piano Pedagogy from the University of North Dakota, a B. M. in Music Performance from the University of Sao Paulo, Brazil, a Performance Diploma from the “Maestro Ernst Mahle” Music School of Piracicaba-Brazil, and a Performance Certificate from the National Academy of Music in Sofia–Bulgaria.
Dr. Casarotti maintains an active schedule as a performer, clinician and researcher. He has performed as a solo and chamber pianist in Brazil, the US, UK, Portugal,Ukraine, Bulgaria, Taiwan, South Korea, Thailand, Argentina, Chile, Uruguai, and Paraguai. He has also performed with orchestras in Brazil, Ukraine and the United States.
Dr. Casarotti specializes in the Taubman Approach and studied under the tutelage of Maria Del Pico Taylor and Dorothy Taubman. He became the editor for the Booklet of Musical Examples of the Taubman Seminar at Temple University and served as the Taubman Seminar Assistant for 3 years. Casarotti was recently named faculty in training of the Keyboard Wellness Seminar at University of North Texas and he is currently studying with Sheila Paige.
In 2009, Dr. Casarotti began developing research to create an online piano studio. Since then, he has taught students at a distance from several locations including Pennsylvania, New Jersey, New York, Louisiana, Brazil and Europe. Mr. Casarotti created the Southern University Online piano studio in 2013. This initiative has been a major asset for the music program at Southern University. He has become a consultant for private studios and universities in Brazil and the US and has been presenting at the MTNA National Conference as well as the National Conference on Keyboard Pedagogy (NCKP).
Dr. Casarotti has a prolific career as teacher in both Brazil and the United States. Previous teaching appointments include St. Norbert College, Southern University, University of North Dakota, Temple University, Temple Preparatory School, Darlington Arts Center and Escola de Música de Piracicaba “Maestro Ernst Mahle” (Brazil). Currently, Mr. Casarotti is the Assistant Professor of Piano and Piano Pedagogy at Glendale Community College in Glendale, Arizona.