Sunday, Feb. 8, 2026
Grades 9 through 12
Registration: $35/$70
Registration Ends: Sunday. January 25, 2026
Registration:
Due Date: Sunday. January 22, 2026
General Information:
*ALL QUESTIONS/COMMENTS SHOULD COME FROM TEACHERS ONLY: Email competition@azmusicfest.org*
Parents and students are not allowed to contact Musicfest staff to discuss any portion of the competition.
Teachers should take time to review all of the current Guidelines, and go over these Guidelines with the participating students and their parents.
- Performers must complete the application and submit the registration fee in order to perform. Early application is advised. It is possible that all available slots for performers will be filled before application deadline.
- The application must include the complete and accurate titles of the pieces to be performed, along with the full composer names, opus/catalog numbers (if applicable), movement designations (if applicable), and key signatures (if applicable).
- Performers must be Arizona residents.
- Performers must be in grades 7 through 12, no younger than 13 (acceptable if student is turning 13 within the school year) and no older than 18 years of age.
- Conflicts may be submitted in the application form’s comments section, but Arizona Musicfest does not guarantee that we will be able to accommodate all conflicts. No conflicts will be accepted after the application deadline.
- To edit your application information after submission, please return to the original confirmation email you received and follow the instructions in that email. No changes are allowed after the application deadline.
- No application refunds will be given in the event of performer withdrawal.
- Each teacher and performer must abide by all requirements and deadlines stated herein. Non-compliance will result in disqualification.
Date & Time:
- The Competition will be held on ________
- The times in the table below are the estimated window for each division.
- Divisions may begin earlier or later depending on the number of entrants
- Exact performance timeslots will be emailed out the week following the application due date.
- Performers may only perform during their division’s window
- The times in the table below are the estimated window for each division.
Music:
- Music chosen for the competition must be standard literature chosen from the Baroque, Classical, Romantic, Modernist, or Contemporary periods by composers of renown and/or established pedagogical composers. Simplified versions and transcriptions are not accepted.
- Multiple movements from the work may be entered as one selection.
- If the performer’s piece(s) exceed the length of the allotted competition time, please note the judges may stop a performance in order to stay on schedule, with no penalty to the performer.
- Memorization is required.
- Performers must provide three total copies of their score(s):
- Scores should not have markings that would indicate the performer or teacher’s identities.
- Score(s) must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
- Scores will be checked at the Welcome Table for the above requirements and will be returned directly after the performance.
- DRUMMERS: A house kit will be provided; please bring your own cymbals.
Location:
- The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255 (Map)
- One piano will be provided. If needed, ensembles must provide their own page turner.
Prizes:
- Up to three ensembles will be awarded cash prizes:
- First Prize: $450/member
- Second Prize: $350/member
- Third Prize: $200/member
- Awarded ensembles may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
- Awarded ensembles may receive additional performance opportunities as they are announced.
Adjudication:
- Judges will stop ensembles if their performance exceeds the competition time limits. There is no penalty if an ensemble needs to be stopped for this reason.
- Prizes are awarded at the end of the competition to ensembles who display the highest level of artistic excellence.
- Judges may elect to award Honorable Mentions to ensembles demonstrating high levels of artistry in their performances.
- Judges have the option to withhold prizes.
- All ensemble coaches will receive judges’ comments within a week of the adjudication date.
- Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
- The judges have full discretion over awarding decisions, which are final and cannot be challenged.
Getting Here
Community Room at Arizona Musicfest
7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255
Directions
7950 E Thompson Peak Pkwy
7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA
Adjudication Panel

Beth Lederman
eth Lederman is well-known for her sophisticated jazz and rhythmic Brazilian and Latin-jazz piano styles, not only in the Phoenix area, but throughout the West from Canada to Mexico. She is a mainstay in the jazz and Latin music scenes, but her expertise is spread widely across many different musical genres. From samba to swing, R & B to pop music, it’s all played with heartfelt integrity.
An Arizona native, Beth’s family ran Lederman Music Co. and she grew up surrounded by music. She began classical studies at age 5 and went on to earn a B.A. in Music. A first-call local player who loves a variety of styles, Beth has also worked with such nationally known artists as The Diamonds, Carmen Bradford, James Moody, Bobbie Vinton, Dmitri Matheny, Dennis Rowland, Donna Peña, and the Phoenix Symphony. Her own band has performed at the The Ravenscroft, The Nash, Scottsdale Center for the Arts, Tempe Center for the Arts, and the Chandler Jazz Festival to list just a few, and in many of Arizona’s iconic venues and hotels.
Beth is also an educator and is an Adjunct Faculty Member in ASU’s Pop Music Program and for The Nash Jazz Education Center and has traveled throughout Arizona and Mexico doing workshops and concerts for the AZ Arts Commission with her own groups.
Some of her career highlights include: band leader for the Brazilian jazz group Novo Mundo, salsa band Más, Brazilian group Zúm,Zúm,Zúm, musical director for a touring production of Phantom of the Opera, a season on Mackinac Island at the Grand Hotel, and, of course, her own group, Jazz Con Alma. Her music is melodic, fun, passionate, innovative, heartfelt, eclectic, humorous, spontaneous…and just plain great!

Corcoran Holt
Corcoran Holt, a son of Washington, D.C., began playing upright bass at age 10 with the renowned DC Youth Orchestra (DCYOP). He attended the prestigious Duke Ellington School of the Arts in Washington, D.C. from 1996 to 2000, completed a bachelor’s degree in jazz studies in 2004 from Shenandoah Conservatory and a master’s degree in jazz studies in 2006 from Queens College in New York City.
Holt spent seventeen years in New York City becoming one of the most in-demand bassists of his generation, performing, touring and recording regularly with numerous pioneers and greats in his field such as Curtis Fuller, Jimmy Heath, Benny Golson, Kenny Garrett, Jimmy Cobb, Steve Turre, Javon Jackson and Wycliffe Gordon to name a few.
In 2009 Holt represented the United States as a Jazz Ambassador, part of the U.S. State Department, touring the Middle East as both performer and educator.
Also in 2009, Holt was a semi-finalist in the world-renowned Thelonious Monk Bass Competition.
He has worked as an educator and clinician with Jazz at Lincoln Center since 2010. Holt leads his own ensembles, has a titled album, “The Mecca,” released in 2018, and is a part of three Grammy-nominated recordings: Kenny Garrett’s 2013 recording, “Pushing the World Away”; Jamison Ross’s 2014 recording, “Jamison”; and The Baylor Project’s “The Journey,” released in 2017. Kenny Garrett’s recording, “Sounds from the Ancestors,” which Holt is a part of, won the NAACP Image Award for Best Jazz Instrumental in 2021.

Dr. Jeffrey Libman
Chicago-born jazz guitarist Jeff Libman is a clinical assistant professor of jazz studies at Arizona State University. He holds a doctorate in music education from ASU. Libman is vice president of the board of Jazz in Arizona, the 501(c)(3) organization that opened The Nash, Phoenix’s jazz performance and education center. As a jazz guitarist, Libman performs frequently in the Phoenix metropolitan area, sharing the stage with some of Arizona’s finest jazz musicians, including Michael Kocour, Brice Winston, Dom Moio, and Eric Rasmussen. His most recent album, “Strange Beauty,” was released in late 2016 on the Cellar Live label. The album received extensive radio airplay and reached #26 on the JazzWeek chart.