Sunday, Feb. 8, 2026

Grades 9 through 12

Registration: $35/$70

Registration Ends: Sunday, January 25, 2026

Registration:

Due Date: Sunday. January 22, 2026

General Information:

  • All questions/comments should come from teachers only
  • Parents and students are not allowed to contact Musicfest staff to discuss any portion of the competition.
Teachers should take time to review all of the current Guidelines, and go over these Guidelines with the participating students and their parents.
  • Performers must complete the application and submit the registration fee in order to perform. Early application is advised. It is possible that all available slots for performers will be filled before application deadline.
    • The application must include the complete and accurate titles of the pieces to be performed, along with the full composer names.
    • Performers may sign up as a Combo and/or as a Soloist.
  • Performers must be Arizona residents.
  • Performers must be in grades 9 through 12, no younger than 14 (acceptable if student is turning 14 within the school year) and no older than 18 years of age.
  • Schedule conflicts may be submitted in the application form’s comments section, but Arizona Musicfest does not guarantee that we will be able to accommodate all conflicts. No conflicts will be accepted after the application deadline.
  • To edit your application information after submission, please return to the original confirmation email you received and follow the instructions in that email. No changes are allowed after the application deadline.
  • No application refunds will be given in the event of performer withdrawal.
  • Each teacher and performer must abide by all requirements and deadlines stated herein. Non-compliance will result in disqualification.

Date & Time:

The Competition will be held on the afternoon of Feb 8, 2026 between 1:00 pm – 6:00 pm

  • Exact performance timeslots will be emailed out the week following the application due date.
  • All performance times shall not exceed 12 minutes.

Music:

  • Music chosen for the competition should be 2 contrasting standard tunes by composers of renown, such as those from the “Great American Songbook” (Jerome Kern, Richard Rodgers, George Gershwin, Cole Porter, Duke Ellington, etc.) and/or the bebop and post-bop eras (Charlie Parker, Dizzy Gillespie, Thelonious Monk, Chick Corea, etc.). Acceptable performance styles are ballads (performed in-tempo), moderate to up-tempo jazz standards, rhythm changes, straight-eighth (e.g. bossa nova) tunes, blues, and bebop. While original compositions are not permitted, creative arrangements of standard tunes are encouraged.
    • COMBO SLOT: All members of the ensemble must perform at minimum a one chorus solo on at least one of the tunes. For ballads, a half chorus solo is acceptable.
    • SOLO SLOT: Chordal instruments (piano, guitar, etc.) must perform unaccompanied. Singers and all other instrumentalists competing as a Soloist must have live accompaniment consisting of a single chordal instrument. No backing tracks will be allowed.
    • Individual performers may compete in both a combo and as a stand-alone soloist.
    • If the performer’s tune(s) exceed the length of the allotted competition time, please note the judges may stop a performance in order to stay on schedule, with no penalty to the performer.
  • Memorization is required.
  • Performers must provide three total copies of their music in lead sheet form:
    • Lead sheets should not have markings that would indicate the performer or teacher’s identities.
    • Lead sheets must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
    • Lead sheets will be checked at the Welcome Table for the above requirements and will be returned directly after the performance.
  • One Steinway piano will be provided.
  • DRUMMERS: A house kit will be provided; please bring your own cymbals.
  • Please dress in appropriate concert attire.

Location:

  • The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255 (Map)

Prizes:

  • Up to three combos or soloists will be awarded will be awarded cash prizes:
    • First Prize: $450/person
    • Second Prize: $350/person
    • Third Prize: $200/person
  • NOTE: As combos and soloists compete together, there is the possibility a combo could win first prize, a soloist win second prize, etc.
  • Awarded performers may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
  • Awarded performers may receive additional performance opportunities as they become available.

Adjudication:

  • Judges will stop performers if their performance exceeds the competition time limits. There is no penalty if an ensemble needs to be stopped for this reason.
  • Prizes are awarded at the end of the competition to combos/soloists who display the highest level of artistic excellence.
  • Judges may elect to award Honorable Mentions to combos/soloists demonstrating high levels of artistry in their performances.
  • Judges have the option to withhold prizes.
  • All teachers will receive judges’ comments within a week of the adjudication date.
  • Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
  • The judges have full discretion over awarding decisions, which are final and cannot be challenged.

Getting Here

Community Room at Arizona Musicfest

7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255

7950 E Thompson Peak Pkwy

7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA

Adjudication Panel

Beth Lederman

Beth Lederman

Beth Lederman is well-known for her sophisticated jazz and rhythmic Brazilian and Latin-jazz piano styles, not only in the Phoenix area, but throughout the West from Canada to Mexico. She is a mainstay in the jazz and Latin music scenes, but her expertise is spread widely across many different musical genres. From samba to swing, R & B to pop music, it’s all played with heartfelt integrity.

An Arizona native, Beth’s family ran Lederman Music Co. and she grew up surrounded by music. She began classical studies at age 5 and went on to earn a B.A. in Music. A first-call local player who loves a variety of styles, Beth has also worked with such nationally known artists as The Diamonds, Carmen Bradford, James Moody, Bobbie Vinton, Dmitri Matheny, Dennis Rowland, Donna Peña, and the Phoenix Symphony. Her own band has performed at the The Ravenscroft, The Nash, Scottsdale Center for the Arts, Tempe Center for the Arts, and the Chandler Jazz Festival to list just a few, and in many of Arizona’s iconic venues and hotels.

Beth is also an educator and is an Adjunct Faculty Member in ASU’s Pop Music Program and for The Nash Jazz Education Center and has traveled throughout Arizona and Mexico doing workshops and concerts for the AZ Arts Commission with her own groups.

Some of her career highlights include: band leader for the Brazilian jazz group Novo Mundo, salsa band Más, Brazilian group Zúm,Zúm,Zúm, musical director for a touring production of Phantom of the Opera, a season on Mackinac Island at the Grand Hotel, and, of course, her own group, Jazz Con Alma. Her music is melodic, fun, passionate, innovative, heartfelt, eclectic, humorous, spontaneous…and just plain great!

Corcoran Holt

Corcoran Holt

Corcoran Holt, a son of Washington, D.C., began playing upright bass at age 10 with the renowned DC Youth Orchestra (DCYOP). He attended the prestigious Duke Ellington School of the Arts in Washington, D.C. from 1996 to 2000, completed a bachelor’s degree in jazz studies in 2004 from Shenandoah Conservatory and a master’s degree in jazz studies in 2006 from Queens College in New York City.

Holt spent seventeen years in New York City becoming one of the most in-demand bassists of his generation, performing, touring and recording regularly with numerous pioneers and greats in his field such as Curtis Fuller, Jimmy Heath, Benny Golson, Kenny Garrett, Jimmy Cobb, Steve Turre, Javon Jackson and Wycliffe Gordon to name a few.

In 2009 Holt represented the United States as a Jazz Ambassador, part of the U.S. State Department, touring the Middle East as both performer and educator.

Also in 2009, Holt was a semi-finalist in the world-renowned Thelonious Monk Bass Competition.

He has worked as an educator and clinician with Jazz at Lincoln Center since 2010. Holt leads his own ensembles, has a titled album, “The Mecca,” released in 2018, and is a part of three Grammy-nominated recordings: Kenny Garrett’s 2013 recording, “Pushing the World Away”; Jamison Ross’s 2014 recording, “Jamison”; and The Baylor Project’s “The Journey,” released in 2017. Kenny Garrett’s recording, “Sounds from the Ancestors,” which Holt is a part of, won the NAACP Image Award for Best Jazz Instrumental in 2021.

Dr. Jeffrey Libman

Dr. Jeffrey Libman

Chicago-born jazz guitarist Jeff Libman is a clinical assistant professor of jazz studies at Arizona State University. He holds a doctorate in music education from ASU. Libman is vice president of the board of Jazz in Arizona, the 501(c)(3) organization that opened The Nash, Phoenix’s jazz performance and education center. As a jazz guitarist, Libman performs frequently in the Phoenix metropolitan area, sharing the stage with some of Arizona’s finest jazz musicians, including Michael Kocour, Brice Winston, Dom Moio, and Eric Rasmussen. His most recent album, “Strange Beauty,” was released in late 2016 on the Cellar Live label. The album received extensive radio airplay and reached #26 on the JazzWeek chart.