Saturday Nov. 22, 2025 – Sunday Nov. 23, 2025
Grades 7 through 12
Registration: $35
Registration Ends: Sunday, November 9, 2025
Registration:
Due Date: Sunday, November 9, 2025
General Information:
*ALL QUESTIONS/COMMENTS SHOULD COME FROM TEACHERS ONLY: Email competition@azmusicfest.org*
Parents and students are not allowed to contact Musicfest staff to discuss any portion of the competition.
Teachers should take time to review all of the current Guidelines, and go over these Guidelines with the participating students and their parents.
- Performers must complete the application and submit the registration fee in order to perform. Early application is advised. It is possible that all available slots for performers will be filled before application deadline.
- The application must include the complete and accurate titles of the pieces to be performed, along with the full composer names, opus/catalog numbers (if applicable), movement designations (if applicable), and key signatures (if applicable).
- Performers must be Arizona residents.
- Performers must be in grades 7 through 12, no younger than 13 (acceptable if student is turning 13 within the school year) and no older than 18 years of age.
- Conflicts may be submitted in the application form’s comments section, but Arizona Musicfest does not guarantee that we will be able to accommodate all conflicts. No conflicts will be accepted after the application deadline.
- To edit your application information after submission, please return to the original confirmation email you received and follow the instructions in that email. No changes are allowed after the application deadline.
- No application refunds will be given in the event of performer withdrawal.
- Each teacher and performer must abide by all requirements and deadlines stated herein. Non-compliance will result in disqualification.
Dates & Times:
- The Competition will be held on ________
- The times in the table below are the estimated window for each division.
- Divisions may begin earlier or later depending on the number of entrants
- Exact performance timeslots will be emailed out the week following the application due date.
- Performers may only perform during their division’s window
- The times in the table below are the estimated window for each division.
Divisions:
Division | Date | Estimated Window
(exact times TBA) |
I (Grades 7 & 8) | Saturday, November | 9am-1pm |
II (Grades 9 & 10) | Saturday, November | 1pm-5pm |
III (Grades 11 & 12) | Sunday, November | 1pm-6pm |
Division | Number of Pieces | Warm-Up Duration | Performance Duration |
I (Grades 7 & 8) | 1 or 2 | 5 minutes | 7 minutes |
II (Grades 9 & 10) | 1 or 2 | 10 minutes | 12 minutes |
III (Grades 11 & 12) | 2 | 10 minutes | 12 minutes |
Location:
- The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255.
Music:
- Music chosen for the competition must be standard literature chosen from the Baroque, Classical, Romantic, Modernist, or Contemporary periods by composers of renown and/or established pedagogical composers. Simplified versions and transcriptions are not accepted.
- Multiple movements from the work may be entered as one selection.
- If the performer’s piece(s) exceed the length of the allotted competition time, please note the judges may stop a performance in order to stay on schedule, with no penalty to the performer.
- Music must be memorized.
- Accompanied pieces must be performed with an accompanist.
- Performers must provide three total copies of their score(s):
- Scores should not have markings that would indicate the performer or teacher’s identities.
- Score(s) must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
- Scores will be checked at the Welcome Table for the above requirements and will be returned directly after the performance.
Dress Code:
Appropriate concert attire is required for both the Competition and the Winners Recital. This may include dresses (knee-level or longer), button-down shirts, slacks or dress trousers, and dress shoes; optional attire: sport coats, ties, or suits.
No jeans, sweatpants or sweatshirts, sneakers, gym attire, tennis shoes, flip flops, boat shoes, or platform shoes with a sole greater than 1/2 inch. All apparel must be modest and non-revealing. Hair should not hide a performer’s face. Please do not wear clothing that will detract from the performance or the dignity of the event.
Location:
The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255
Prizes:
- Up to three performers from each Division may be awarded cash prizes in the amounts detailed below.
- Awarded performers may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
- Awarded performers may receive additional performance opportunities as they become available.
Division | First Prize | Second Prize | Third Prize |
I (Grades 7 & 8) | $200 | $100 | $50 |
II (Grades 9 & 10) | $350 | $200 | $100 |
III (Grades 11 & 12) | $450 | $350 | $200 |
Adjudication:
- Judges will stop performers if their performance exceeds the competition time limits. There is no penalty if a performer is stopped for this reason.
- Prizes are awarded at the end of each division to performers who display the highest level of artistic excellence.
- Judges may elect to award Honorable Mentions to performers demonstrating high levels of artistry in their performances.
- Judges have the option to withhold prizes.
- All teachers will receive judges’ comments within a week of the adjudication date.
- Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
- The judges have full discretion over awarding decisions, which are final and cannot be challenged.
Getting Here
Community Room at Arizona Musicfest
7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255
Directions
7950 E Thompson Peak Pkwy
7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA
Adjudication Panel

Mary Frances DiBartalo
Dr. Mary Frances DiBartolo is assistant principal cellist of the Arizona Opera Orchestra, section cellist of the West Valley Symphony, assistant principal of the Tucson Pops Orchestra, and Instructor of Cello and Chamber Music/Director of the PVCC Cello Ensemble at Paradise Valley Community College. DiBartolo is an avid chamber musician, continuo player and recording studio artist, and is a substitute/extra musician with the Tucson and Phoenix Symphonies and the Las Vegas Philharmonic. DiBartolo is an in-demand educator, and from 1993-2010, was on faculty at Northern Arizona University (Flagstaff, AZ) as Senior Lecturer of Cello and Chamber Music, and Coordinator of Chamber and Event Music for the NAU School of Music.
A faculty artist at the Orfeo and Schlern International Music Festivals/Italy, and at the InterHarmony International Music Festival in the Berkshires, DiBartolo taught, performed, and coached chamber music. She has performed in many notable national and international festivals including the Spoleto Italy/USA Festival, Grand Teton Music Festival, Mainly Mozart Festival, Animas Festival, Red Rocks Festival, Arizona Opera Wagner Ring Cycle Festival, and the Lancaster USA Festival. DiBartolo’s orchestral career spans thirty-five years. Dr. DiBartolo was an inaugural fellow of Michael Tilson Thomas’s renowned New World Symphony, and has performed with the Sarasota Opera Orchestra, the Cincinnati Ballet & Chamber Orchestras, Seattle’s Northwest Chamber & Ballet Orchestras, and the Tucson Ballet Orchestra. Her vast symphonic experience includes performances with the orchestras of Flagstaff, Phoenix, Tucson, Fort Wayne, Dayton, Naples, West Virginia, Omaha, Lincoln, Charleston, and Columbus (OH). DiBartolo, a musicians union member from the age of 19, has held several American Federation of Musician (AFofM) orchestra positions, won through national auditions.
DiBartolo is a sought-after private teacher and maintains studios in Scottsdale and Tempe, AZ. She has presented at the National ASTA Conferences and AMEA, and was a featured clinician at the ASTA Tucson Cello Congress and the ASTA Cellobration in Phoenix. DiBartolo is a sectionals coach for the PYS (Phoenix Youth Symphonies), and regularly adjudicates the Arizona Regionals/All-State Orchestra auditions, the Phoenix Youth Symphony auditions, the ASTA Solo Competition, and the Arizona Musicfest Young Musicians Instrumentalist Competition (solo and chamber music), amongst others.
DiBartolo is a highly requested continuo player, and has collaborated with the St. Barnabas on the Desert Episcopal Church Choir and Chamber Orchestra, The La Casa de Cristo Sanctuary Choir, the Paradise Valley United Methodist Church Chorale & Paradise Singers, the Scottsdale Choral Artists, the (formerly) Phoenix Bach Choir, the Vocal Arts Ensemble of Cincinnati, the Mount St. Mary’s Seminary/Athenaeum of Ohio Orchestras, the St. James Church Concert Series of Seattle, and the First Plymouth Congregational Church Abendmusik Series, Lincoln, NE.
Adept at many styles and genres, DiBartolo can be heard on New Age Artist Chris Spheeris’ CD “Dancing with the Muse,” trumpeter and vocalist Chuck Curry’s CD “Late Bloom,” and can be seen performing in the John Tesh/PBS “One World” video filmed, in part, in Monument Valley, Utah.
Dr. DiBartolo holds degrees from the University of Arizona (DMA), The University of Cincinnati College-Conservatory of Music: CCM (MM), and, following studies at Northwestern University, the University of Iowa (BM).

Danwen Jiang
Called by The Boston Globe, “an intelligent, agile and breathtaking violinist”, Danwen Jiang has concertized as concerto soloist, recitalist, and chamber musician in Australia, Canada, China, France, Germany, Iceland, Italy, Poland, and across the United States. She has appeared in concert halls such as Carnegie Hall in New York City, Kennedy Center for the Performing Arts in Washington, D.C., La Salle Gaveau in Paris, Cultural Centre Concert Hall in Hong Kong, and Beijing Concert Hall in China. Her recordings are available on China Record Corporation, Eroica label, and Soundset Recordings. The American Record Guide called her “an exceptional violinist”, while the Fanfare Magazine described her performance as “absolutely exquisite”.
As a chamber musician, Professor Jiang has collaborated in concerts with members of the renowned Guarneri, Juilliard, Tokyo, Emerson, and Shanghai String Quartets, The Boston Players, American Chamber Players, and other distinguished musicians such as André-Michel Schub, Lilian Kallir, Igor Kipnis, Ani Kavafian, Eric Rosenblith, Stanley Drucker, and Regina Carter. She has appeared at Manchester Music Festival, Sanibel Chamber Music Festival, Yale Chamber Music Series, Rutgers SummerFest, Taconic Music, Montecito International Music Festival in the United States, Festival du Quercy Blanc and Festival Dan le Gard in France, Harpa International Music Festival in Iceland, InterHarmony International Music Festival in Italy and Germany, Victoria International Music Festival in Canada, among others. As an orchestral performer, she was Concertmaster for the Riverside Symphonia in New Jersey from 1995-2001.
A highly regarded string pedagogue, Danwen Jiang is Professor of Violin in the School of Music, Dance and Theatre at Arizona State University in the United States, where she was a recipient of the Professor of the Year Special Recognition Award, President’s Tenure/ Promotion Faculty Exemplar Award, and Distinguished Teacher Award. She was featured as soloist and masterclass clinician by the American String Teachers Association in national conferences. She served as a visiting faculty at Oberlin Conservatory of Music and at the University of Illinois at Urbana – Champaign. As guest professor, she has taught at the Central Conservatory of Music in Beijing, Iceland Academy of the Arts in Reykjavík, State University of Music and Performing Arts Stuttgart in Germany, Sydney Conservatorium of Music at The University of Sydney in Australia, Vancouver Academy of Music in Canada, and Academy of Music in Kraków, Poland. She is a member of the faculty at the Red Rocks Virtual Music Institute in Arizona, and the Euro Arts Academy based in Germany and South Korea.
Danwen Jiang studied violin with Arnold Steinhardt, Oscar Shumsky, Taras Gabora, and Weijian Zhao. Other influential musicians include Jaime Laredo, Michael Tree, Zara Nelsova, Felix Galimir, Josef Gingold, Joseph Silverstein, György Pauk, and Seymour Lipkin.
For more information about Professor Danwen Jiang, please visit http://www.danwenjiang.com.