Saturday Nov. 22, 2025 – Sunday Nov. 23, 2025

Grades 7 through 12

Registration: $35

Registration Ends: Sunday, November 9, 2025

Registration:

Due Date: Sunday, November 9, 2025

General Information:

  • All questions/comments should come from teachers only
  • Parents and students are not allowed to contact Musicfest staff to discuss any portion of the competition.

Teachers should take time to review all of the current Guidelines, and go over these Guidelines with the participating students and their parents.

  • Performers must complete the application and submit the registration fee in order to perform. Early application is advised. It is possible that all available slots for performers will be filled before application deadline.
    • The application must include the complete and accurate titles of the pieces to be performed, along with the full composer names, opus/catalog numbers (if applicable), movement designations (if applicable), and key signatures (if applicable).
  • Performers must be Arizona residents.
  • Performers must be in grades 7 through 12, no younger than 13 (acceptable if student is turning 13 within the school year) and no older than 18 years of age.
  • Schedule conflicts may be submitted in the application form’s comments section, but Arizona Musicfest does not guarantee that we will be able to accommodate all conflicts. No conflicts will be accepted after the application deadline.
  • To edit your application information after submission, please return to the original confirmation email you received and follow the instructions in that email. No changes are allowed after the application deadline.
  • No application refunds will be given in the event of performer withdrawal.
  • Each teacher and performer must abide by all requirements and deadlines stated herein. Non-compliance will result in disqualification.

Dates & Times:

  • The Competition will be held on Saturday, November 22 from 9:00 am – 6:00 pm, and Sunday, November 23 from 1:00 pm – 6:00 pm.
    • The times in the table below are the estimated window for each division.
      • Divisions may begin earlier or later depending on the number of entrants
      • Exact performance timeslots will be emailed out the week following the application due date.
      • Performers may only perform during their division’s window

Divisions:

Division Date Estimated Window

(exact times TBA)

I (Grades 7 & 8) Saturday, November 22 9am-1pm
II (Grades 9 & 10) Saturday, November 22 1pm-6pm
III (Grades 11 & 12) Sunday, November 23 1pm-6pm

Division Number of Pieces Warm-Up Duration Performance Duration
I (Grades 7 & 8) 1 or 2 5 minutes 7 minutes
II (Grades 9 & 10) 1 or 2 10 minutes 12 minutes
III (Grades 11 & 12) 2 10 minutes 12 minutes

Location:

Music:

  • Music chosen for the competition must be standard literature chosen from the Baroque, Classical, Romantic, Modernist, or Contemporary periods by composers of renown and/or established pedagogical composers. Simplified versions and transcriptions are not accepted.
    • Multiple movements from the work may be entered as one selection.
    • If the performer’s piece(s) exceed the length of the allotted competition time, please note the judges may stop a performance in order to stay on schedule, with no penalty to the performer.
  • Music must be memorized.
  • Accompanied pieces must be performed with an accompanist.
  • Performers must provide three total copies of their score(s):
    • Scores should not have markings that would indicate the performer or teacher’s identities.
    • Score(s) must have measures numbered and cuts marked (if any) so the judges can use them as a reference during the performance.
    • Scores will be checked at the Welcome Table for the above requirements and will be returned directly after the performance.
  • One Steinway piano will be provided.
  • Please dress in appropriate concert attire.

Location:

The competition will be held at Arizona Musicfest: 7950 E Thompson Peak Pkwy. Scottsdale, AZ 85255

Prizes:

  • Up to three performers from each Division may be awarded cash prizes in the amounts detailed below.
  • Awarded performers may be invited to perform in the Young Musicians Concert Series in the MIM Music Theater.
  • Awarded performers may receive additional performance opportunities as they become available.
Division First Prize Second Prize Third Prize
I (Grades 7 & 8) $200 $100 $50
II (Grades 9 & 10) $350 $200 $100
III (Grades 11 & 12)  $450 $350 $200

Adjudication:

  • Judges will stop performers if their performance exceeds the competition time limits. There is no penalty if a performer is stopped for this reason.
  • Prizes are awarded at the end of each division to performers who display the highest level of artistic excellence.
  • Judges may elect to award Honorable Mentions to performers demonstrating high levels of artistry in their performances.
  • Judges have the option to withhold prizes.
  • All teachers will receive judges’ comments within a week of the adjudication date.
  • Musicfest’s competitions do not have a prescribed scoring system, and thus require that all judges hear all the competition participants to allow for proper verbal deliberation and a fair outcome. Since selective recusal is not allowed, by agreeing to be on this jury panel, the judges agree that they will not submit their own students as competitors. Furthermore, performers are ineligible to participate if they or their principal teacher have a familial relationship with a judge.
  • The judges have full discretion over awarding decisions, which are final and cannot be challenged.

Getting Here

Community Room at Arizona Musicfest

7950 E Thompson Peak Pkwy
Scottsdale, AZ 85255

7950 E Thompson Peak Pkwy

7950 E Thompson Peak Pkwy, Scottsdale, AZ 85255, USA

Adjudication Panel

Dr. Gregory Hamilton

Dr. Gregory Hamilton

Bio for Gregory Hamilton

For the past 15 years, Gregory Hamilton was Associate Professor of Cello and Double Bass at Concordia College in Moorhead, Minnesota. Before this, he was the Executant Senior Lecturer of Cello at the University of Otago in New Zealand.

Called “a master of the instrument” by the Otago Daily Times, Gregory’s playing was heard throughout New Zealand on Concert-FM Radio broadcasts. He also served as president of the String Teachers Association of New Zealand Aotearoa and was a national adjudicator for the 2007 Chamber Music New Zealand competition. Hamilton also taught at Illinois State University for 10 years where he was a founding member of the Ricard Piano Trio.

Hamilton is a former member of the Columbus Symphony in Ohio and has toured and recorded in the cello section of the Houston Symphony. Gregory has performed internationally at the conservatories of Milan, Seville, and Malakoff (France), appeared on live broadcasts on German Public Rado of Cologne, participated in the William Pleeth masterclasses at the Aldeburgh Festival, and has taught and performed with the Lugano String Orchestra, a program serving poor and disadvantaged children in Buenos Aires.

In 2005, Gregory received the Doctor of Musical Arts degree from the University of Kansas. Prior to this he was a student of Bernard Greenhouse at Rutgers University, Raya Garbousova at Northern Illinois University, and Richard Kapuscinski at the Oberlin Conservatory. In 2011 his solo CD, “The Hollywood Cello,” featuring works by film composers of the Golden Era, was released by Soundset Recordings.

Presently, Greg lives in Carefree, AZ with his wife, violist Kate Hamilton, where he is Administrative Director of the Desert Hills Community School of Music.

Danwen Jiang

Danwen Jiang

Called by The Boston Globe, “an intelligent, agile and breathtaking violinist”, Danwen Jiang has concertized as concerto soloist, recitalist, and chamber musician in Australia, Canada, China, France, Germany, Iceland, Italy, Poland, and across the United States. She has appeared in concert halls such as Carnegie Hall in New York City, Kennedy Center for the Performing Arts in Washington, D.C., La Salle Gaveau in Paris, Cultural Centre Concert Hall in Hong Kong, and Beijing Concert Hall in China.  Her recordings are available on China Record Corporation, Eroica label, and Soundset Recordings. The American Record Guide called her “an exceptional violinist”, while the Fanfare Magazine described her performance as “absolutely exquisite”.

As a chamber musician, Professor Jiang has collaborated in concerts with members of the renowned Guarneri, Juilliard, Tokyo, Emerson, and Shanghai String Quartets, The Boston Players, American Chamber Players, and other distinguished musicians such as André-Michel Schub, Lilian Kallir, Igor Kipnis, Ani Kavafian, Eric Rosenblith, Stanley Drucker, and Regina Carter. She has appeared at Manchester Music Festival, Sanibel Chamber Music Festival, Yale Chamber Music Series, Rutgers SummerFest, Taconic Music, Montecito International Music Festival in the United States, Festival du Quercy Blanc and Festival Dan le Gard in France, Harpa International Music Festival in Iceland, InterHarmony International Music Festival in Italy and Germany, Victoria International Music Festival in Canada, among others. As an orchestral performer, she was Concertmaster for the Riverside Symphonia in New Jersey from 1995-2001.

A highly regarded string pedagogue, Danwen Jiang is Professor of Violin in the School of Music, Dance and Theatre at Arizona State University in the United States, where she was a recipient of the Professor of the Year Special Recognition AwardPresident’s Tenure/ Promotion Faculty Exemplar Award, and Distinguished Teacher Award. She was featured as soloist and masterclass clinician by the American String Teachers Association in national conferences. She served as a visiting faculty at Oberlin Conservatory of Music and at the University of Illinois at Urbana – Champaign. As guest professor, she has taught at the Central Conservatory of Music in Beijing, Iceland Academy of the Arts in Reykjavík, State University of Music and Performing Arts Stuttgart in Germany, Sydney Conservatorium of Music at The University of Sydney in Australia, Vancouver Academy of Music in Canada, and Academy of Music in Kraków, Poland. She is a member of the faculty at the Red Rocks Virtual Music Institute in Arizona, and the Euro Arts Academy based in Germany and South Korea.

Danwen Jiang studied violin with Arnold Steinhardt, Oscar Shumsky, Taras Gabora, and Weijian Zhao. Other influential musicians include Jaime Laredo, Michael Tree, Zara Nelsova, Felix Galimir, Josef Gingold, Joseph Silverstein, György Pauk, and Seymour Lipkin.

For more information about Professor Danwen Jiang, please visit http://www.danwenjiang.com.

Derick Sears

Derick Sears

A Guitarist from Buffalo NY, Derick Sears has reached far across the United States through his studies. An undergraduate degree in Buffalo NY was the home for many co-organized events such as the annual Woman of Guitar Festivals (2017-2020) and the 2019 Brouwer in Buffalo Composition Competition. This is where Derick gained many skills of music event management, grant writing and arts professionalism. Following his Undergraduate studies, at the height of the pandemic, Derick moved to Fullerton California and acquired a Masters in Music studying under Martha Masters. His time in California was culturally moving, acquiring experiences working in the Santa Ana School District and falling in love with the vast diversity of musical culture in the American Southwest. These experiences led him to a love and participation in Mariachi and other folk music traditions. Derick is currently studying his Doctorate at Arizona State University with Martha Masters where he is focused on expanding guitar literature and culturally relevant musical programming.

Derick has performed recitals from Buffalo NY to Orange County California and acquired Masterclasses with world renowned talents such as, Leo Brouwer, Pablo Sainz Villegas, Douglas Lora, Iliana Matos, Thomas Viloteau, Andrea Caballero and Luis Zea.