Chamber Ensemble Competition

Praised for “genuinely memorable performance” by BBC Music Magazine, pianist Miki Aoki is widely recognized for her diverse abilities as a pianist and collaborative artist.

Ms. Aoki records exclusively for German Label Hänssler Profil. Her debut album, comprised of the piano works of Zoltan Kodaly, was released in the fall of 2011 and won critical acclaim. Her second CD, ‘The Belyayev Project’, features fascinating compositions varying from solo piano works by Liadow, Glazunov and Blumenfeld to the expressive and rhapsodic piano Trio by Rimsky-Korsakov. It was released in 2013. The Fanfare Magazine praised ‘The Belyayev Project’ as a “graceful, expressive and transparent performance”, and The Ensemble Magazine (Germany) wrote, “…pianist Miki Aoki interprets magically.” Her third CD, ‘Mélancolie’, was released in May 2016 and was awarded a special prize by the Japanese music magazine “Record Geijutsu”. Her newest recording, ‘Tokyo Story’, was released in 2018. This recording is a world-premiere, featuring music from the films of Yasujiro Ozu in their original piano manuscript versions and has enjoyed an especially enthusiastic reception from the Japanese media.

A frequent guest artist in prestigious concert series and festivals around the world, Ms. Aoki has performed on the stages of Carnegie Hall, St. Martin-in-the Fields, St. John’s Smith Square, the Royal Festival Hall and the Purcell Room at South Bank Centre, the Barbican centre, Blackheath Halls (UK), Laeizhalle Hamburg, Gasteig München, Philharmonie Essen, Beethovenssal Hannover (Germany), Philia Hall, Munetsugu Hall (Japan), Wiener-Saal (Austria), St-Petersburg Philharmonic Hall (Russia) as well as in festivals such as Mecklenburg-Vorpommen, Salzburger Festspiele, Rheingau Festival (Germany), Menuhin Festival Gstaad (Switzerland), International Chamber Music Festival Silver Lyre (Russia), Beaulieu-sur-la Mer (France), Valdres Festival (Norway), Copenhagen Summer Music Festival (Denmark), Steirisches Kammermusik Festival(Austria), Tertis International Viola Competition and Festival (Isle of Man), Tembi Festival (Indonesia), Phnom Penh International Music festival (Cambodia) and the International Classical Music Festival (Myanmar).

Praised by The Strad for his “impeccable playing” and “gorgeously viola-like tone,” violinist Jonathan Swartz enjoys a multi-faceted career. His recent solo CD, Suite Inspiration (Soundset Recordings), received much critical acclaim.  John Terauds of Musical Toronto comments, “Swartz sounds as if his bow were strung with threads of silk rather than horsehair,” and calls his performance of Bach’s Chaconne “something to treasure.”

A devoted pedagogue, Swartz serves on the faculties of Arizona State University and Madeline Island Chamber Music. He has previously taught at the University of Texas at El Paso, Domaine Forget Academy, Round Top Festival, Interlochen Arts Camp, Innsbrook Institute, and the Rocky Mountain Summer Conservatory. Sought after as a master clinician, and frequent presenter at the American String Teachers Association National Conferences, his approach to bow technique was featured in a STRINGS magazine article in 2006.

Swartz is the founder and artistic director of the Visiting Quartet Residency Program at Arizona State University, a chamber music program that integrates visiting resident artists with a comprehensive chamber music curriculum. He has also been instrumental in shaping the curriculum for the violin program at the Domaine Forget Academy. He presently serves as artistic director for Madeline Island Chamber Music, and as president for ASTA-AZ.

Joshua Gardner is associate professor of clarinet and director of the Performance Physiology Research Laboratory at Arizona State University, where he has taught since 2011. He maintains an active performance career, performing with several ensembles, including the internationally recognized Paradise Winds and Égide Duo, and is a frequent soloist with high school and college bands. He has performed and lectured at conferences for the International Clarinet Association, European Clarinet Association, International Double Reed Society, and North American Saxophone Alliance and has been featured on American Public Radio’s Performance Today. In addition to performing and teaching, Gardner has a strong interest in woodwind pedagogy and research. He won first prize at the International Clarinet Association Research Competition in 2008 and has presented lectures on tongue motion during clarinet performance throughout the US, often accompanied by live tongue imaging. He is currently exploring the use of ultrasound for quantified research and performance diagnostics. As part of the PPR Lab, Gardner often mentors student research initiatives ranging from examining embouchure force dynamics using thin-film force transducers to exploring non-articulatory tongue motion during saxophone performance using ultrasound imaging.

Gardner’s performance interests lie primarily in chamber music. He is the soprano clarinetist for the Paradise Winds Reed Quintet based in Phoenix, AZ. Recently, they released Live Beneath Stained Glass (2016), a Blues/Funk collaboration with the Jackie Myers Band. Journey on a Comet’s Tail, an album of entirely original commissioned works for reed quintet, will be released in late 2017. Advocates of original repertoire, the Paradise Winds have commissioned works by James Cohn, Deborah Kavasch, John Marvin, Robbie McCarthy, Kurt Mehlenbacher, Alyssa Morris, Tom Peterson, Kincaid Rabb, and premiered the first North American concerto grosso for reed quintet and orchestra by Graham Cohen. Paradise Winds actively tours, records, and holds residencies across the globe.